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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the last albums Charles Mingus ever gave us – before departing this planet way way too soon! The set shows the increasing sophistication of Mingus' music in these later years – a mode that almost echoes the path that Duke Ellington would take in his final decade – a move ... LP, Vinyl record album
A great collection of Mingus' Impulse sides: "Orange Was The Color Of Her Dress, Then Silk Blues", "The Black Saint & The Sinner Lady: Solo Dance/Duet Solo Dancer/Group Dancers", "The Black Saint & The Sinner Lady: Trio & Group Dancers/Single Solos & Group ... LP, Vinyl record album
A classic trio session from Charles Mingus – one of the few he ever recorded! The set's got Mingus on bass, working with regular drummer Danny Richmond and pianist Hampton Hawes – an unusual choice for the record, but a player whose sense of freedom and intensity at this point really ... LP, Vinyl record album
Complicated later work from Charles Mingus – a great illustration of the way his power to command a large ensemble never wavered as the years went on! The album features two different large groups of players – filled with modernists young and old – including Ricky Ford, George ... LP, Vinyl record album
Titles include "Jamming The Session", "Stella By Starlight", "Jamming Blues Homeward", "I Only Have Eyes For You", "Big Fine Girl", "Jumpin' The Boat", "Baby Don't Love Me No More", "Roll Em Pete", and "Blue In The ... LP, Vinyl record album
An unusual set that combines tracks from the great Bobby Hutcherson LPs, Cirrus and Linger Lane. "Even Later" and "Wrong Or Right" are off Cirrus, recorded at the tail end of the his association with Harold Land, and features the sort of wonderful spiralling modal work that ... LP, Vinyl record album
Excellent work by Lonnie Smith – a free-flowing album of long jazzy grooves that's kind of an extension of his Blue Note albums, touched with more of the electricity of his 70s playing! There's some killer rhythms on the album – courtesy of drummers Jamey Hudad and Ben Riley, and ... LP, Vinyl record album
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... LP, Vinyl record album
One of the grooviest albums ever from Jimmy McGriff – a hard-wailing session that's filled with plenty of cooking lines on the organ, and a few especially funky tracks! The groove here is tight, short, and very sharp – strongly in the mode of other post-Sue sessions by McGriff – ... LP, Vinyl record album
A hard-hitting blowing session, cut very much in the mode of Gene's late 50s sides for Prestige – and with a very accomplished group of soul jazzers that includes Nat Adderley, Frank Foster, Bennie Green, and Frank Wess. The groove has a nice raw late night sound – and tracks are ... LP, Vinyl record album
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... LP, Vinyl record album
Lester Young joins the Oscar Peterson trio – and the result is a classic meeting of the minds from early 50s Verve! Young's tone is tremendous throughout – that sharp-yet-cool style that had such a big influence on other 50s players, and which gets some great support here from Peterson' ... LP, Vinyl record album