CD, LP, Vinyl record album cover art
View larger image       Image note

Source (Original Moody's Mood/Golden Days)

LP (Item 373281) Prestige, Early 50s — Condition: Near Mint-
2LP Gatefold
$6.99 ...

LP, Vinyl record album

(€6.24 || £4.45 || ¥853) (approx.)
4.80 38

An important set that documents a nice patch of King's early vocalese jazz sides – pivotal vocal jazz recordings that were not only enormously popular with listeners around the country, but which also did a heck of a lot in the way of advancing the way that male singers handled lead vocals on jazz-based tunes! The first album's pulled from his Original Moody's Mood For Love set for Prestige, which was itself a compilation and features "I'm In The Mood For Love", "Red Top", "Jumpin With Symphony Sid", "I'm Gone", "Funk Junction", "You're Crying", "Don't Get Scared", "This Is Always', and "Exclamation Blues". The second LP's the hard to find Goldne Days set, a beautiful record, and still one of the greatest jazz vocal albums ever made. The great King Pleasure sings in a raspy vocalese style similar to Jon Hendricks or Eddie Jefferson, but with a sense of warmth and delivery that the two of them never seem to reach. The set list here features a stellar batch of tracks with lyrics by Pleasure, including "The New Symphony Sid", "No, Not Much", "Parker's Mood", and "Golden Days". There's some great accompaniment by LA hard bop players like Teddy Edwards, Gerald Wiggins, and Harold Land, and the whole set sparkles with imagination and warmth. 21 tracks in all.  © 1996-2015, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested in


CD, LP, Vinyl record album cover art
Joe Roland
Bethlehem, Mid 50s. Very Good-
A sweet little session with great mellow sound – and one of the few records ever cut by vibist Joe Roland! Once upon a time, we might have said Joe Roland a bit too soft for us – but this 1956 Bethlehem session has him playing in the company of a hip group that includes Freddie Redd on ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Colpix, 1960. Very Good-
A key early moment for Nina – recorded live at Newport in 1960, at a time when the festival was one of the most important showcases for groundbreaking jazz! The set's a hip batch of tunes that includes a few standards like "Trouble In Mind" and "You'd Be So Nice To Come Home ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Main Man
Inner City, 1977. Very Good+
One of our favorite albums ever from Eddie Jefferson – one of the last sessions he ever recorded as a leader, and a stone cooker through and through! The arrangements here are by Slide Hampton, who hits a really soulful groove for the set – one that moves away from some of the more ... LP, Vinyl record album
 



⇑ Top