This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A late 70s issue of material that was originally recorded by Shaw and the group in their hometown of St Louis – where they held center stage in the city's small but committed avant garde scene, working as St Louis' answer to Chicago's AACM. Players include JD Paran on reeds, Joseph Bowie on ... LP, Vinyl record album
One of Kenton's greatest records, and the one in which he proves his dedication to Latin styles, by serving up a killer batch of Afro-Cuban tracks with an incredibly authentic feel. The great Johnny Richards handled the arrangements, and the tracks are long and drawn out, with plenty of solo space ... LP, Vinyl record album
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach ... LP, Vinyl record album
Fabulous stuff – one of the legendary albums that funky flute player Bobbi Humphrey cut with producer Larry Mizell! The record's a prime example of the Mizell genius at work – as Larry's arranged these fantastic backdrops for Bobbi's flute – soaring keyboard lines, layers and ... LP, Vinyl record album
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... LP, Vinyl record album
This was a follow-up to the hit Ray Bryant record, "Madison Time", and although it's an obvious attempt to cover it, it's also released by the same label (Columbia) that put out the Bryant version. Buddy Tate leads a tight little combo through "Madison Time", and a host of ... LP, Vinyl record album
Massive work from Johnny Hammond – stretching out here in some totally jamming grooves that really transform his style for the 70s! The sound here is a lot hipper and tighter than some of Hammond's more rough-edged soul jazz of the 60s – a groove that's a great precursor to his more ... LP, Vinyl record album