This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Incredible early work from British leader Johnny Dankworth – jazz work that's as fluid and grooving as his best 60s soundtrack sessions, and cut with an early sense of power that's really great! Dankworth's tight on the head arrangements, really leaping into the rhythms of the tune with the ... LP, Vinyl record album
Great US issue of 2 different albums that Webster recorded in Europe near the end of his life – Blow Ben Blow and For The Guv'nor. The albums were both recorded in 1969, and both with that kind of open-ended European "focus on the master soloist" approach that was gaining favor at ... LP, Vinyl record album
Two of LA's leading soul jazz luminaries – playing head to head in an interesting session that mixes lines on piano and organ! McCann gives the set a good rollicking rhythm, and Holmes' increasing skill on the Hammond makes the set blow out over the top – and the pair get backing by ... LP, Vinyl record album
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by ... LP, Vinyl record album
Features Gordon Brisker on tenor and flute – with Tom Harrell on trumpet, John Eidsvoog on keyboards, David Loeb on piano and Rhodes, Bob Bowman on bass, and Peter Donald on drums! LP, Vinyl record album
An unusual record – one that features a few spoken passages by Quincy Jones, Henry Mancini, and Johnny Mathis – plus large ensemble readings of "Three Symphonic Dances" by Claus Ogerman, "An American Concerto" by Pat Williams, and El Gamino" by Dick Grove. ... LP, Vinyl record album
An obscure set from the strong 80s years of the Dutch scene – a group led by JC Tans on tenor, with Boy Raaymakers on trumpet, Wolter Wierbos on trombone, Sean Bergin on alto, and Paul Stocker on baritone. LP, Vinyl record album
Wonderful funky fuzzy moogy! The cover proclaims that this is the "first album of electronic rock" – and although we don't know how true that is, the record's a nice batch of moogy covers – featuring tracks like "Grazin In the Grass", "Aquarius", "Penn ... LP, Vinyl record album