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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
In our opinion, this "comeback" material by Rushing was way better than his original work from the late 30s. He's got more of a sense of control here, and his approach to the material is extremely thoughtful, and always tinged with a good sense of jazz, making it swing a bit more than on ... LP, Vinyl record album
Very nice jazz-oriented material that has Sarah working with Jimmy Jones, one of her best accompanists, or John Malachi, who was in Billy Eckstine's band at the same time Sarah was with the group. All the tracks have nice small combo instrumentation – and Sarah keeps things nice and warm ... LP, Vinyl record album
Wonderfully swinging material from the great Louis Prima! The set was caught live in Louis' main stomping grounds, Las Vegas – and backing is by a tightly matched version of Sam Butera & The Witnesses. 9 tracks in all, a couple of them medleys, including "Embraceable You/I Got It ... LP, Vinyl record album