Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Sugar Minott At Studio One

LP (Item 370881) Soul Jazz (UK), Late 70s — Condition: New Copy
2LP
List Price: 42.99

Seminal sounds from the mighty Sugar Minott – a singer who's sweet-voiced style was perfect for the changes going on at Studio One in the late 70s! Sugar grew up on the soulful styles of the rocksteady years – and here, as Studio One begins to step into some dancehall modes, his vocals provide a perfect link with the past – which sometimes comes from the way the label was reworking older rhythms and melodies in a subtle way – often with new lyrics from Minott that really transform the tunes! Currents of early dancehall and versioning flow through the mix of work here – and the set is a great illustration of this key moment in the evolution of reggae. Titles include "Vanity", "Please Be True", "Hang On Natty", "Jahovia", "Try Love", "Give A Hand", "Is It True", "Love Gonna Pack Up", "Give Me Jah Jah", "Party Time", "Jah Almighty", "Jah Jah Children", and "Change Your Ways".  © 1996-2021, Dusty Groove, Inc.
(Includes download!)

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Soul Jazz (UK), Mid 70s. New Copy 2LP Gatefold
Some of the most righteous sounds ever recorded at the legendary Studio One label in Jamaica – 70s music that marks a time when the company was moving into some of the more thoughtful, meaningful lyrics that rose to prominence during the rasta generation! The shift is no surprise, given that ... LP, Vinyl record album
Soul Jazz (UK), Late 60s. New Copy 2LP Gatefold
Soulful sounds from the legendary Studio One – music from a time when the Jamaican scene was taking some strong cues from the American soul scene of the 60s, but coming up with a unique groove of their own! As proof of that fact, some of the work here is based on original American soul tunes ... LP, Vinyl record album

Bob Marley & The Wailers

Catch A Fire (180 gram pressing)
Island, 1973. New Copy (reissue)
The first Bob Marley album on Island Records – and the start of a really legendary run that would not only transform reggae in the 70s, but the rest of popular music as well! Chris Blackwell's partially at the helm on production, but the album was mostly recorded in classic Kingston studios ... LP, Vinyl record album
Mamba/VP, 1974. New Copy (reissue)
One of the crowning achievements of the legendary Keith Hudson – a record that was originally issued on his own tiny label, with very little circulation at the time – but a set that's gone on to become the stuff of legend, thanks to Hudson's revolutionary work in the studio! The record ... LP, Vinyl record album

Johnny Clarke

Rockers Time Now
Frontline/Get On Down, 1976. New Copy (reissue)
A great moment for Jamaican singer Johnny Clarke – who really got a chance to shine in the mainstream with this classic album for Virgin – a record that should have given Clarke the same kind of international fame as some of his contemporaries on Island Records! All the element here ... LP, Vinyl record album

Lee Scratch Perry & The Upsetters

Battle Of Armagideon (180 gram pressing)
Trojan/Music On Vinyl (Netherlands), 1986. New Copy (reissue)
A really striking mid 80s effort from the legendary Lee Scratch Perry – done at a time when his name and reputation had risen strongly on the global scene – which also seems to come through in the music as well! There's a wider range of styles going on here than before – and ... LP, Vinyl record album
Trojan/Antarctica Starts Here, 1968. New Copy (reissue)
Bad-stepping sounds from The Uniques – a really hip Jamaican vocal group, and one who sing with an edge that's maybe even sharper than some of their contemporaries! At first listen, the warmth of their harmonies is as sweet as you might expect – but as the music moves on, they open up ... LP, Vinyl record album

Prince Jammy

Crucial In Dub
Greensleeves (UK), Late 70s/Early 80s. New Copy
Unreleased work from the great Prince Jammy – an assortment of never-heard dubs, all of which bristle with a sharpness that marks the start of the digital generation! There's a spareness here that's wonderful – Jammy's way of making a key element be just enough out front of some slow-st ... LP, Vinyl record album
Greensleeves, 1975. New Copy (reissue)
Wild dubs from the legendary King Tubby – not really a proper live record, but rather an amazing batch of studio extrapolations that Tubby let loose at a famous concert with The Wailers – reworked beautifully in the studio with some really incredible sounds! Heavy, hypnotic rhythms ... LP, Vinyl record album

Augustus Pablo

Born To Dub You
17 North Parade, Mid 70s. New Copy
There's few folks more born to dub you than the great Augustus Pablo – an artist whose laidback work helped introduce dub music to a whole new generation in the 70s, then continued to remain at the top of the stack as the years went on! And although these cuts are rare material, not Pablo's ... LP, Vinyl record album

Keith Hudson

Jammy's Dub Encounter
17 North Parade, 1984. New Copy
Never-heard work from the legendary Keith Hudson – material recorded with the Wailers Band at Tuff Gong studios shortly before his too-early death – finally seeing the light of day after all these years! This set features dub tracks from the sessions, with studio work from King Jammy ... LP, Vinyl record album

Lee Scratch Perry

Black Ark In Dub Vol 1
VP/17 North Parade, Late 70s. New Copy
An unusual album, and one that features a host of recordings done by Lee Perry right before his Pipecock Jackson implosion in the late 70s – but presented by former partner Pauline Morrison, who deserves a lot of credit for putting together a host of great dub tracks that might have been lost ... LP, Vinyl record album
 



⇑ Top