This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Melba Moore sounds great here – but that's to be expected, since she's working with the Philly team of McFadden & Whitehead! "Standing Right Here" begins slow and low – almost instrumental for a few minutes, as beats and bass build up the tune nicely before Melba's vocals ... 12-inch, Vinyl record
A strange one from Karen Young – an acetate that has a lush version of "God Bless America" on the main side, but with a groover on the flip that's a lot more like her clubby material! 12-inch, Vinyl record
"Bamba" has a great skittish grooves – contemporary Afro Funk, but a lot more stripped-down – so that the percussion and bass are really taking the lead, and providing a perfect foil for the atmospheric vocals of the tune! This quality really continues on "Walo", ... 12-inch, Vinyl record