This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style ... LP, Vinyl record album
A wonderfully grooving late 80s set from Earland, with a great cast of supporting players, though their names may not be as well known as some of the heavies on his other records, the group has a wonderful vibe throughout the side. Ignore the couple of tracks that this record (and all of his ... LP, Vinyl record album
A wonderfully-named session – as Charles Earland plays here with an intensity that's undeniable! The album marks a key shift for Earland – one away from the more standard soul jazz mode, into a realm of looser, freer rhythms that really take off from the start – knowing no end on ... LP, Vinyl record album
A rare live set from Charles Earland – recorded pre-Prestige, and probably illegally, by Paul Winley. The sound of the set has plenty of crowd noise up front – not necessarily from bad recording, but from an approach that seems to create this "live lounge" kind of feel, one ... LP, Vinyl record album
Tight trio material from the legendary Richard Groove Holmes – caught live at Count Basie's Nightclub in Harlem, working hard and heavy with a trio that features Gene Edwards on guitar and George Randall on drums! This live set is the kind of record that beautifully shows why Groove was so ... LP, Vinyl record album
An overlooked Hammond slammer from Charles Earland – cut at a time when he was working on more electric keyboards for other labels. The set's a killer all the way through – very much in the best early 70s Prestige Records mode – with long tracks that really jam, and a lineup that ... LP, Vinyl record album
An excellent album by Dexter Gordon – his first after a number of years spent without recording in the late 50s, and one that marked a real return to serious growth as a player during the 60s! The album takes the same approach as Dexter's soon to be recorded Blue Note classics – ... LP, Vinyl record album
70s 2-in-1 set that brings together 2 classic early Coltrane sides – the legendary Tenor Conclave session on Prestige, with tenor work by Hank Mobley, Zoot Sims, and Al Cohn; and the moodier Mating Call set, a showcase for the piano genius of Tadd Dameron. Both records are classics – ... LP, Vinyl record album
Killer work by Charles Earland – a back to basics set of grooving tunes that are cut in the best soul jazz mode of earlier years! Earland heads a great group that includes Jimmy Ponder on guitar, George Coleman on tenor, and Walter Perkins on drums – and the set swings high, wide, and ... LP, Vinyl record album
Sublime early Getz all the way through – material that shows why even right out of the gate, Stan's sound on the tenor was one to be reckoned with! Side one features a quartet with Al Haig on piano, Tommy Potter on bass, and Roy Haynes on drums – all giving Stan plenty of room to ... LP, Vinyl record album
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his ... LP, Vinyl record album
A great set from Moody, nice and edgey, with his genius firmly in place! Quincy Jones handled the arrangements, and the group swings in a variety of modes. Moody's on alto and tenor – no flute yet at this point – and highlights include "Workshop", a great number with ... LP, Vinyl record album