Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Kenny Clarke Meets The Detroit Jazzmen

LP (Item 368430) Savoy, 1956 — Condition: Near Mint-

One of the first albums from guitarist Kenny Burrell as a leader – a date that has him working with players from his hometown scene in Detroit – in case you couldn't guess from the title! Kenny's style here is a bit different than on the Blue Note dates of the time – almost a bit more personal, and leaner – which is a surprise, given the usual heavier feel of a Savoy session. Other players include Pepper Adams on baritone, Tommy Flanagan on piano, Paul Chambers on bass, and Kenny Clarke on drums – and before you complain, we know that not all of these guys are from Detroit – but that's the way they titled the thing, so you'll have to write to the label! Adams is a bit down in the mix, so he never over-dominates Burrell's tone – but he still gets plenty of space to sparkle on his solos, working with those sharp edges that make his Savoy appearances so great. Titles include "Your Host", "Afternoon In Paris", "Apothegh", "Cottontail", and "Tom's Thumb".  © 1996-2020, Dusty Groove, Inc.
(In the die-cut cover, including the heavy inner sleeve. Cover has a cut corner.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Savoy, 1945/Early 60s. Near Mint-
Well, it's not the whole Charlie Parker Story – but the album does feature some great material from a very famous session, recorded on 11/26/1945, originally issued on 78s, along with extra tracks, compiled here in one of Savoy's posthumous Bird LPs from the early 60s. The group includes ... LP, Vinyl record album
Savoy, 1950. Near Mint-
... LP, Vinyl record album
Savoy, 1976. Near Mint-
... LP, Vinyl record album

Ronnie Ball

All About Ronnie
Savoy, Mid 50s. Very Good
One of the most obscure modern jazz albums on Savoy – an obscure album that's also one of the few dates as a leader from pianist Ronnie Ball! Also features Ted Brown on tenor, Willie Dennis on trombone, Wendell Marshall on bass, and Kenny Clarke on drums – on titles that include "P ... LP, Vinyl record album

Eddie Bert, Donald Byrd, JR Monterose, & Others

Montage
Savoy, Mid 50s. Near Mint-
A collection of laidback blowing material recorded for Savoy during the mid 50s – featuring 2 different groups, plus 2 solo piano tracks by John Mehegan. Group one features Eddie Bert, JR Monterose, Hank Jones, and Kenny Clarke – on the tracks "Steady Eddie", "Slow ... LP, Vinyl record album

Donald Byrd & John Jenkins

Star Eyes (aka Jazz Eyes)
Savoy, Late 50s. Near Mint-
A great little session – an oft-overlooked gem from Savoy's legendary hard bop years of the 50s – reissued many years later with an added bonus track! Altoist John Jenkins leads the session – which also features Donald Byrd – who gets co-billed as leader on this reissue, ... LP, Vinyl record album
Savoy, 1950/1953. Near Mint-
Nice nice early work from Al – of the sort you can't always find that easily on reissue! The set's a very well put together album that brings together titles from 2 early sets on Savoy. 4 tracks are from a 1950 set with a quartet that includes George Wallington, on the tracks "Infinity& ... LP, Vinyl record album

Brew Moore, Allen Eager, Phil Urso, & Others

Brothers & Other Mothers Vol 2
Savoy, Late 40s/Early 50s. Near Mint- 2LP Gatefold
An excellent collection of overlooked tenor players from the late 40s and early 50s – put together from rare Savoy 78s and 10" sessions – with excellent notes, too! Features a full side each of work by Brew Moore, Allen Eager, and Phil Urso – plus tracks by Teddy Reig and ... LP, Vinyl record album

Lennie Tristano, Herbie Nichols, & Others

Modern Jazz Piano Album
Savoy, Late 40s/Early 50s. Near Mint- 2LP Gatefold
A later issue of some seminal recordings of some of the most influential, yet unde-documented jazz pianists of the bop and post bop eras. There's three tracks by the Bebop Boys, with Bud Powell, Kenny Dorham, Sonny Stitt, Al Hall and Kenny Clarke: "Bebop In Pastel", "Seven Up" ... LP, Vinyl record album

Bobby Hutcherson

San Francisco
Blue Note, 1971. Very Good+
Genius, pure genius! This album's possibly the most perfectly realized set from the team of Bobby Hutcherson on vibes and Harold Land on reeds – a pair who work here with an electric bass player and a bit of electric piano (the latter from Joe Sample) – hitting territory that's ... LP, Vinyl record album

Miles Davis

On The Corner
Columbia, 1972. Very Good Gatefold
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to ... LP, Vinyl record album

Ronnie Laws

Pressure Sensitive
Blue Note, 1975. Very Good+
The massive debut of reedman Ronnie Laws – a groundbreaking set of funky fusion tracks that set the standard for years to come! Ronnie's the kid brother of Hubert Laws – who was already having great fame at CTI – but here, the younger Laws works with producer Wayne Henderson ... LP, Vinyl record album
 



⇑ Top