An all-star soul affair produced by Quincy Jones, and featuring the talents of studio greats like Harvey Mason, Billy Cobham, Toots Thielmans, Dave Grusin, Lee Ritenour, and many others – not to mention the Brothers themselves! We'll be honest, though, in saying that we really think it's the great jazzy backing and the tight arrangements by Quincy that make this record so great. The Brothers' bass and vocal work is fine – but it's the non-bass instrumental moments that really make this album great, as you'll hear on cuts like the moog-heavy "Tomorrow", or the timbales/keyboard/flute groover "Thunder Thumbs & Lightnin Licks". Great stuff if you dig mid 70s work by Q – and featuring the tracks "I'll Be Good To You", "Land Of Ladies", "Free & Single", "Get The Funk Out Ma Face", and "The Devil". (Includes the lyric sleeve. Cover has some wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.