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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The icy voice of Norwegian singer Karin Krog is a perfect match for Dexter's deep soulful saxophone, and the two of them perform wonderfully together in this rare set of tracks recorded in 1970 with Kenny Drew on piano and Niel Henning Orsted-Peterson on bass. Krog has always been tremendously ... LP, Vinyl record album
A very hip album of vocal jazz – recorded by the underground singer Barbara Long, a righteous east coast talent who cut a very small amount of work during the 60s. This set's got Long backed by a small group that includes Booker Ervin, Billy Howell, and Nat Phipps – and Ervin's tenor ... LP, Vinyl record album
One of the hippest 70s albums you could hope to find by Sheila Jordan – originally recorded for the East West label in Japan,! The set features Sheila singing with a small group that includes Norman Marnell on tenor, Alan Pasqua on piano, Cameron Brown on bass, and Beaver Harris on drums ... LP, Vinyl record album
A great little record, thanks to arrangements from Ralph Burns – who gives Mabel a hipper style than on her records for Atlantic! Titles include "Ballad Of The Sad Young Men", "Once Upon A Time", "Mira", "Year After Year", "Trouble Comes", ... LP, Vinyl record album
Some of the most airy, organic work we've ever heard from singer Karin Krog – a selection of rare recordings from the early 70s, most of which were done with minimal instrumental backing! Karin's vocals are extremely compelling here – more than enough to hold our attention as she works ... LP, Vinyl record album
Captivating work by Nina – working here in that unique crossover style she was using in the mid 60s – a blend of jazz and soul arrangements that were perfect for her intimate folksy style. The album's one of her first few for Philips, and it really has her opening things up a bit ... LP, Vinyl record album
A classic Vegas moment for Sinatra – with accompaniment by Count Basie, and arrangements from Quincy Jones, to boot! The set features some great spoken bits – really one of the first chances the American mainstream got to taste the Vegas vibe – and titles include "It Was A ... LP, Vinyl record album
Genius early work from Pierre Barouh – the artist best known for his contribution to the film A Man & A Woman, but also the owner of the legendary Saravah Records label – one of the grooviest imprints around! The set is a real move forward from Barouh's earlier material, which was ... LP, Vinyl record album
A much later but no less great effort from the originators of the electro sound. All the hallmarks are still intact: synth drums, beeping and chirping synths, vocoded vocals, and cold string patches. Six tracks: "Boing Boom Tschak", "Techno Pop", "Musique Non Stop", ... LP, Vinyl record album
Later work by Tom Rapp – recorded after his early years with Pearls Before Swine, when Rapp was working on his own as a singer/songwriter, and really expanding his own unique musical vision. The album's got surprisingly full backings – very different than the rough folksy touches of ... LP, Vinyl record album