This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly great set from The Four Tops – hardly the throwaway effort you might expect from some of the other Casablanca projects of the time – and instead a really solid effort that follows strongly from the sound of the group's best moments during their ABC Records years! The ... LP, Vinyl record album
Why did Motown ever let the Four Tops get away? This album was their last for the label – and it's an excellent one, filled with soul, sweetness, and some of the best arrangements the group had in their later years! The soul component is super-high – with tight group instrumentation ... LP, Vinyl record album
The Four Tops weren't the first of the Motown groups to get the broadway treatment, but they do a pretty nice job with it! Thanks to some swinging help from producer Frank Wilson, the quartet manage to still shine even though they're shackled with a set of tunes from over-blown broadway shows of ... LP, Vinyl record album
It's the third volume, but there's still plenty of hits left – thanks to the legendary 60s run of Diana Ross & The Supremes at Motown! Arrangers include Henry Cosby, Paul Riser, and Wade Marcus – and most of the tracks are from the later years of the original trio – with ... LP, Vinyl record album
Thelma's one of those singers who must have been waiting years for disco to come around and help her find a reason to sing! Her career was slightly ill-timed in the beginning, coming along with a baroque soul beginning that was great, yet somewhat out of place in the early 70s. But enter a record ... LP, Vinyl record album
Sort of a disco effort from Motown, featuring a group led by keyboardist Michael L. Smith, and featuring David T. Walker, Sonny Burke, James Gadson, Lee Ritenour, and Roland Bautista. The tracks are long dancefloor cuts, with a bit of a space disco sound, and titles like "Space Dance", ... LP, Vinyl record album
Titles include "Walk Away From Love", "Ain't Too Proud To Beg", "Everything's Coming Up Love", "(I Know) I'm Losing You", "My Whole World Ended (The Moment You Left Me)", "You're My Piece Of Mind", "My Girl", "Just Let Me ... LP, Vinyl record album
The Dazz Band are in a definite hot spot here – the group's final album for Motown, and a record that's filled with the kind of catchy crossover funk they did better than most! The set snaps into a groove right from the very first note – with that electro funk that Motown served up big ... LP, Vinyl record album
The second album of groovy, spacey, fusiony soul from Mandre, ne' Andre Lewis. While not quite as sublime as the first LP, this one's still got lots of nice synth-y touches, and solid grooves mostly taken at medium tempo, though with a bit of a nod towards the prevailing disco trends of the day. ... LP, Vinyl record album