This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
This "special disco mix" is a nice nice groover for the dancefloor. It's got cool electronics, with a great moogy solo, and a very tight groove! Nice breakdown in the middle, too. 12-inch, Vinyl record
Two from the Return of the Boom Bap LP. "Sound of the Police" is the anti-police anthem produced by Showbiz and remixed by KRS and Kenny Parker. Plus the original and acapella version of KRS's comment on the whole "Hip Hop vs Rap" debate, where the second half of the song is ... 12-inch, Vinyl record