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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art ... LP, Vinyl record album
An nice lost session by modernist George Russell – recorded in New York in 1960, with one of his more obscure groups of the time. The set was originally recorded for the Decca label, as one of Russell's few LPs for the imprint – and like the others, it's got a fresh, unacademic tone ... LP, Vinyl record album
A 70s issue of 2 seminal sides from George Russell, originally recorded in the 50s. The first, New York New York is a wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York ... LP, Vinyl record album
French reissue of a nice little set from Russell – not to be confused with the Riverside LP with a similar title. Not as arch-modern as some of his later work, with strong playing in kind of that east coast chamber jazz mode that you'd find in some of the other RCA sides of the time. ... LP, Vinyl record album
A classic live set that has Don Cherry joining George Russell's group that included Ray Pitts on tenor, Bertil Loevgren on trumpet, and Brian Trentham on trombone. The record is one of Russell's strongest, and manages to escape from some of the overly academic scoring that his albums are sometimes ... LP, Vinyl record album
A late 60s issue of material from some of Russell's earlier albums on Riverside – great sides from the early 60s featuring Russell at the head of a group of some of the better young modernists of the age, like Ellis, Dolphy, Pete La Roca, and Steve Swallow. The record features Russell-conceiv ... LP, Vinyl record album
George Russell was always committed to exploring new territory – as he proves well on this hard to find album cut for Riverside during the early 60s! Russell's surrounded himself here with some great younger and lesser-known players – including trumpeter Don Ellis, trombonist Garnett ... LP, Vinyl record album
A rare bit of German jazz – and US issue of big band sides cut by Edelhagen for Deutsche Grammophon, packaged here with an odd postwar cover that has a cartoon of an American GI dancing in a crate from Germany! (Are we to suppose that like magnetic tape and rocket science, Edelhagen's music ... LP, Vinyl record album