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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art ... LP, Vinyl record album
An nice lost session by modernist George Russell – recorded in New York in 1960, with one of his more obscure groups of the time. The set was originally recorded for the Decca label, as one of Russell's few LPs for the imprint – and like the others, it's got a fresh, unacademic tone ... LP, Vinyl record album
A 70s issue of 2 seminal sides from George Russell, originally recorded in the 50s. The first, New York New York is a wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York ... LP, Vinyl record album
George Russell's stepping quite far out from his earlier work here – recording in Scandinavia in the late 60s, with some very trippy effects! The album is dominated by the two-part "Othello Ballet Suite" – recorded in Stockholm in 1967 with a group that includes Rolf ... LP, Vinyl record album
French reissue of a nice little set from Russell – not to be confused with the Riverside LP with a similar title. Not as arch-modern as some of his later work, with strong playing in kind of that east coast chamber jazz mode that you'd find in some of the other RCA sides of the time. ... LP, Vinyl record album
George Russell was always committed to exploring new territory – as he proves well on this hard to find album cut for Riverside during the early 60s! Russell's surrounded himself here with some great younger and lesser-known players – including trumpeter Don Ellis, trombonist Garnett ... LP, Vinyl record album
A late 60s issue of material from some of Russell's earlier albums on Riverside – great sides from the early 60s featuring Russell at the head of a group of some of the better young modernists of the age, like Ellis, Dolphy, Pete La Roca, and Steve Swallow. The record features Russell-conceiv ... LP, Vinyl record album
One of the rare few albums cut by 50s tenor star Joe Holiday – and a gem of a session that has him fronting a larger group, blowing lean well-cut solos on a number of very hip original tunes! The group's a large one, but the sound's still quite tight and swinging – a great follow-up to ... LP, Vinyl record album
Early 50s material from Coleman Hawkins – strong tenor solos out front of some larger arrangemetns from Paul Neilson and Danny Mendelsohn. Titles include "Amber", "Lost In A Fog", "Lucky Duck", "Spellbound", and "Ruby". LP, Vinyl record album
One of the earliest albums from the legendary Quartette Tres Bien – the hip piano combo from the St Louis scene – one who were almost to that city's jazz world what Ramsey Lewis was to Chicago! Unlike other piano groups of the time, which were trios, the Quartette featured an ... LP, Vinyl record album