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May have marks on all parts, too many to qualify as Very Good-,
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and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
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Additional Marks & Notes
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if it is an oddity that is the only wrong thing about the record.
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cover damage or wear as noted above, or strictly cosmetic flaws.
Early bop work by Sonny Rollins – from his Prestige years! Like other Milestone two-fers that were issued in the 70s, this set goes back and collects work recorded within the same time frame, and comprises material that was otherwise issued on Work Time, Tenor Madness, Sonny Boy and Tour De ... LP, Vinyl record album
Despite the title, which seems a bit silly, the album's actually one of Sonny's best from the 70s – an open-ended live set, recorded with a group that features both electric and acoustic piano, plus guitar and electric bass in the rhythm section – making for a nice slightly funky groove ... LP, Vinyl record album
A crackling bit of hardbop from Sonny Rollins – and a session that has Sonny playing with the Max Roach/Clifford Brown group that included Bud Powell's brother Richie on piano! Sonny had already made a strong name for himself on albums issued under the Roach/Brown tag at the time, and here ... LP, Vinyl record album
One of Sonny Rollins' best albums of the 70s – a Japanese-only live date that features some excellent work on both tenor and soprano sax! The group has a really great feel – thanks to congas by Mtume and guitar from Yoshiaki Masuo – both of whom bring some new elements to Rollins' ... LP, Vinyl record album
A groundbreaking album from Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the Red ... LP, Vinyl record album
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... LP, Vinyl record album
One of her early trio albums, with a nice laidback, late-night, organ soul groove. She's backed by Earl May on bass and Roy Brooks on drums, and the tracks include "Sweet Slumber", "Happy Talk", and "I Hear A Rhapsody". LP, Vinyl record album
A great little session by Jug – cut after the late 50s blowing session years, and with a much tighter sound that's very much in the pocket! The record features two groups – one with Walter Bishop, Art Davis, and Art Taylor; the other with Patti Brown, George Duvivier, and Taylor ... LP, Vinyl record album
Yipes! The MJQ must have freaked out when they saw the title to this one – especially since the record doesn't feature them playing especially for lovers, it's just a collection of their excellent early work for Prestige. The album features some of the group's great work with Kenny Clarke ... LP, Vinyl record album
A full 12" LP that combines two earlier sessions by Teddy Charles – some of his best early 50s modernist work, proof that he was one of the standout talents of the postwar years on vibes! The first session features two long tracks – "Evolution" and "Free" ... LP, Vinyl record album
2 different slices of work from Tal Farlow! First is the 1955 album Red Norvo With Strings – originally issued under Norvo's name – a "with strings" session with a difference! This one's not the sleepy orchestral jazz set that you'd expect. Instead, it's a cool modernist ... LP, Vinyl record album
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that ... LP, Vinyl record album