This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very nice work from one of Ellington's revival periods – when he was signed to Columbia in the late 50s, and recording some of the best work of his career. This set moves past the modernism of some of Duke's other sessions at the time, and offers a more straight-ahead set in true "jazz ... LP, Vinyl record album
Duke Ellington in fine fine form – working here in a selection of tunes played at jazz festivals in 1959 – a very good year for the Ellington Orchestra! The styles here are a mix of older Duke modes and some of the more sophisticated modernism of his late 50s years – and ... LP, Vinyl record album
One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, ... LP, Vinyl record album
One of Duke Ellington's best albums of the 50s – a well-conceived session of dark moody tracks that revisits a few old favorites, hits a few standards, and offers a new gem that's right up there with the classics! The "indigos" title is taken very seriously here – as the ... LP, Vinyl record album
A fitting title for a great album – Eric Dolphy's last live recording, performed on June 2, 1964, with a trio of youngsters that included two of the greatest names in European avant garde jazz – Misha Mengelberg and Han Bennink! The sound is jagged and a bit free – showing the ... LP, Vinyl record album
A beautifully plugged-in, turned-on session from Cal Tjader – one that features the funky vibist alongside some sweet Fender Rhodes! The session was recorded live, but it's got a flowing, modal quality that rivals Tjader's best work in the studio for Verve and Fantasy at the end of the 60s ... LP, Vinyl record album
An overlooked funky gem from Lou Donaldson – a later date for Blue Note, done in a style that's a bit expanded from his small combo sets of the 60s – but still filled with plenty of soul and groove! The lineup features core key players Leon Spencer on Hammond, Melvin Sparks on guitar, ... LP, Vinyl record album