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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Duke Ellington makes a rare Verve appearance on this classic album – and works strongly in the mode of earlier sides recorded for the label by Johnny Hodges! There's a relaxed, small group feel going on here – one that's a bit different than some of the tighter Ellington work on ... LP, Vinyl record album
Groovy 2LP set that brings together some of Cal's best Latiny sides for Verve – tracks that shine and sparkle with wit, imagination, and just plain groove! The set's a nice one in that a lot of these cuts are hard to find on the original albums – especially in decent enough shape to ... LP, Vinyl record album
A really great pairing – and a rare non-Brubeck Paul Desmond session from the 50s! Gerry Mulligan and Desmond weave laidback lines around each other, working here in a pianoless quartet that features Dave Bailey on drums and Joe Benjamin on bass – very much a Mulligan-inspired approach ... LP, Vinyl record album
The tenor of Stan Getz meets the baritone sax of Gerry Mulligan – and then they switch things around for half of the record, as Stan picks up the baritone and Mulligan takes on tenor! Gerry always seems to open up whole new sides of his playing when sharing the leader spotlight with another ... LP, Vinyl record album
We can't decide whether we like Bird better in the small seminal bop quintets he led, or blowing fiery solos over larger arrangements buoyed by strings. Fortunately these sets, compiled from 10" LPs bring together some of both, though as you might guess from the title, they do lean heavily ... LP, Vinyl record album
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' ... LP, Vinyl record album
Although the set's a groovy batch of shorter jazz tracks, with larger arrangements by Jimmy Jones, Hodges still solos nicely, and with that trademark tone that always cuts through the b.s.! The title cut's a mis-chosen version of Petula Clark's big hit, but the record's actually got some other ... LP, Vinyl record album
Soaring work from the legendary John Coltrane Quartet – a session that was incredibly far-reaching for the time, and which originally was unissued until after the time of Coltrane's death! The record's got the group really pushing forward strongly – hitting a Love Supreme mode, but ... LP, Vinyl record album
Funky Bunky from Chicago, with backing from Al Dailey on piano, Billy Butler and Carl Lynch on guitar, Wilbur Bascomb on bass, Jimmy Johnson on drums, Al Chalk on percussion, and Jeff Bova on ARP string ensemble and ARP 2600. The sound's quite different from his Cadet albums – but not bad ... LP, Vinyl record album
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players ... LP, Vinyl record album
Hard to believe it took a few decades in the careers of both players for them to record together – but that's exactly what you've got here – a landmark meeting of Count Basie and Duke Ellington from the early 60s, near the tail end of Duke's classic stretch on Columbia! Teo Macero ... LP, Vinyl record album