Joe Thomas : Here I Come (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Here I Come

LP (Item 360777) Lester Radio Corporation, 1977 — Condition: Near Mint-
Gatefold
Soulful sounds from the great Joe Thomas – a reedman who was first known as the Ebony Godfather on some more rough-edged funk at the start of the 70s – but who's equally great here in a larger, warmer setting overall! The record follows the spirit of some of the others in the second chapter of the Groove Merchant label – that time when Sonny Lester changed things over to LRC/LC, and often worked in ways that maybe echoed more of the major label soul fusion styles, but always with a much hipper vibe. The backings here are directed by Brad Baker – who you'll know from the B Baker Chocolate Company work – a great fit for the tight solos from Thomas, who maybe comes across a bit like Grover Washington on Kudu/CTI. Titles include "Green Dragon", "Same Old Song", "Place In Space", "Gotcha", and "Here I Come".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Stanley Turrentine

Spoiler
Blue Note, 1966. Near Mint-
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a ... LP, Vinyl record album

Donald Byrd

Street Lady
Blue Note, 1973. Very Good+ Gatefold
A landmark album by Donald Byrd – the first one where he really started to click with jazz-funk producer Larry Mizell! Mizell and Byrd had worked together previously on the Black Byrd album – a soaring bit of futuristic jazz funk that took Byrd's career to a whole new level – but ... LP, Vinyl record album

Dexter Gordon

Doin' Allright
Blue Note, 1961. Near Mint-
Doin Allright? Dexter's doing great on this one – working with that fully mature Blue Note sound of his – a rich approach to soloing that keeps the tracks cooking with excitement! The group on the set's an all-star lineup that includes Freddie Hubbard on trumpet, Horace Parlan on ... LP, Vinyl record album

Archie Shepp

Live In San Francisco
Impulse, 1966. Very Good+ Gatefold
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – ... LP, Vinyl record album

Dexter Gordon

One Flight Up
Blue Note, 1964. Near Mint-
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would ... LP, Vinyl record album

Herbie Hancock

Future Shock
Columbia, 1983. Near Mint-
The future is now! Or at least it seemed to be back in 1983 when Herbie teamed up with Bill Laswell to record this classic album of computer-driven keyboard grooves! Whatever you might think of the music, the record was a genius move for Herbie – who was kind of flopping around in a number ... LP, Vinyl record album
Columbia, 1961. Sealed
The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a ... LP, Vinyl record album
 



⇑ Top