The Crusaders at their late 70s smooth jazz best – completely confident in the sound of their groove, and unabashedly working in a tight studio setting on longer tracks that helped forever change the sound of mainstream funky jazz! And yes, the edges are polished down from the group's earlier recordings – but in a way that only seems to deepen the soul of the tunes, and give them more direction and a solidly crossover feel that actually goes past the random funky jazz of the early and mid 70s. Sample, Felder, and Hooper are in fine form throughout – and as usual by this point, are working with a range of guest stars – including Will Jennings, who sings some great lead vocals on the "Street Life"-like "Soul Shadows" track that leads off the set. Other titles include "Elegant Evening", "Rhapsody & Blues", "Last Call", and "Sweet Gentle Love". © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.