CD, LP, Vinyl record album cover art

Interrabang (180 gram pressing)

LP (Item 359727) Deja Vu, 1970–1973 
Out Of Stock

LP, Vinyl record album


...

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Chain Reaction (180 gram vinyl)
Dual Planet (Australia), 1980. New Copy
Moog and synth-heavy soundtrack to the early 80s nuclear horror B-Movie Chain Reaction! Composer Andrew Thomas Wilson pairs up elements of eerier synth and proggy rock inspired soundtracks by John Carpenter, Goblin and benchmark acts/composers of the period with some more droning, minimalist bits, ... LP, Vinyl record album
Dagored (Italy), Early 70s. New Copy (reissue)
A tremendous soundtrack from the vastly under-recognized Berto Pisano – the kind of record we'd rank right up there with our favorite Morricone scores from the time! Berto's working here in a sublime style that sometimes features electric keyboards and moody wordless vocals, and other times ... LP, Vinyl record album
Death Waltz (UK), 1981. New Copy Gatefold (reissue)
The first-ever record release of this incredible soundtrack – Joe Delia's moody score for the Abel Ferrara film Ms 45 – served up here in a stunning package from Death Waltz! Delia's music has a bit more class and subtlety than some other early 80s scores of this type – more ... LP, Vinyl record album
Dagored (Italy), 1971. New Copy 2LP Gatefold (reissue)
One of the most haunting Morricone soundtracks ever – and one of the grooviest too! The album's a perfect blend of our two favorite styles of Morricone work – that of the floating female vocal over a gentle groove, and the darker, tenser side of his music. The main "Verushka" ... LP, Vinyl record album
Schema (Italy), 1974. New Copy LP & CD
Sweetly funky and very slinky – this is one of the best early 70s scores by the great Italian composer Piero Umiliani! The record has lots of bubbling electric piano, rumbling electric basslines, warm acoustic percussion, and moody wordless vocals. At some level, the album sounds a lot like ... LP, Vinyl record album
Roundtable (Australia), 1977. New Copy
A beautifully subtle electronic score for this mid 70s Australian horror film – one done with a lot more care, class, and grace than some of its contemporaries – but with an equally spooky vibe overall! The music comes a bit in the waves hinted at in the title – slow moving ... LP, Vinyl record album
Sacred Bones, 2015. New Copy Gatefold
The first-ever non-soundtrack album from director/composer John Carpenter – but a record that also draws strongly from all his many years in movies! All the classic Carpenter elements are firmly in place – cool keyboards, compressed guitar parts, and this spacious style of building up ... LP, Vinyl record album
Death Waltz (UK), 1982. New Copy
A great 80s horror score from Franceso De Masi – the Italian giant known best for his western and action work of the 60s and 70s – stepping out here in a sweet electric set to rival the best from his contemporaries! There's way more going on here than just the usual horror schlock ... LP, Vinyl record album
Omicron/Schema (Italy), 1970. New Copy LP & CD (reissue)
Amazing work from the legendary Piero Umiliani – a perfect soundtrack to show the warmer sound of his talents, which are sometimes eclipsed by his weirder electronic modes! The soundtrack's from an erotic film starring sex-goddess Zeudi Araya, but despite the kinky origins of the material, ... LP, Vinyl record album
Cinedelic (Italy), 1971. New Copy Gatefold
Beautifully weird music for this completely bizarre Italian horror film – one that's got as much sex as it does slash – which you might guess from the "secret orgy" in the title! The tunes are a strange variety of numbers – with shifting instrumentation that can feature ... LP, Vinyl record album
Sugar/Wah Wah (Spain), 1969. New Copy (reissue)
Beautiful grooves from the Italian scene of the late 60s – definitely one of the lesser-known soundtracks of the time, but work we'd rank right up there with the best by Piero Piccioni or Armando Trovajoli! There's a fair bit of trippy sounds on the record – from fuzzy guitar to ... LP, Vinyl record album
Room 237 (180 gram orange & red vinyl pressing)
Death Waltz (UK), 2012. New Copy LP & CD
Contemporary work, but sounds that are greatly inspired by the best Italian soundtracks of the 70s and 80s – particularly those keyboard-heavy horror scores that have been so influential over the years! The music has the live, non-programmed feel of the best Goblin albums – but also ... LP, Vinyl record album
 



⇑ Top