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Great Paris Concert

LP (Item 359565) Atlantic, 1963 — Condition: Near Mint-
2LP Gatefold

Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on piano – playing with those angular, modern tones he picked up in the post Money Jungle years – and clearly in charge of the group from the keyboard, not the podium. Horn players include Harry Carney, Ray Nance, Lawrence Brown, Cootie Williams, Johnny Hodges, and Paul Gonsalves – all bringing in some special tones and unique performances to an extended set list that includes both Ellington standards and a few lesser-known numbers. Titles include "Rockin In Rhythm", "Concerto For Cootie", "Suite Thursday", "Tone Parallel To Harlem", "Bula", "Cop Out", "Happy Go Lucky Local", "Theme From Asphalt Jungle", and "Star-Crossed Lovers".  © 1996-2022, Dusty Groove, Inc.
(Green and red Broadway label stereo pressing in the textured cover. Cover has a bit of pencil in back, in great shape other wise.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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