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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly great set from violinist Zbigniew Siefert – a player who uses his instrument in ways that are a bit different than some of his European contemporaries! There's less of a tendency to jam on this set – yet Seifert still plays with a nice sense of boldness, really feeling ... LP, Vinyl record album
A rare early 70s session from pianist Red Garland – one of his first in many years after a strong 50s run for Prestige! The record shows Red losing none of his warmth and grace on the keys – and he's set up in a great trio with Sam Jones on bass and Roy Brooks on drums – both ... LP, Vinyl record album
Funky electric magic from the mighty Dave Pike Set – the ultra-cool combo the American vibist worked with while recording for German label MPS! First up is Live At The Philharmonie – a legendary MPS session from vibist Dave Pike – a set that mixes his funkier styles with some ... LP, Vinyl record album
A solo sparkler from Oscar Peterson – recorded in a flurry of excellent late 60s recordings for MPS, and done in a warmly rhythmic mode that puts Peterson's solo work right up there in the ranks of Tatum and Garner! The production on the album is immaculate – done with a depth that ... LP, Vinyl record album
A seminal bit of 60s modern from MPS – a tremendous session that features equally strong contributions from the three players named in the title – Attila Zoller on guitar, Lee Konitz on alto sax, and Albert Mangelsdorff on trombone! All players are at the height of their modern powers ... LP, Vinyl record album
Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the ... LP, Vinyl record album
Duo recordings on two concert grand pianos by Jones and Flanagan, with titles including "Relaxin' At Camarillo", "In A Sentimental Mood", "Some Day My Prince Will Come", "Afternoon In Paris", "Au Privave", "I'm All Smiles", "Rockin' ... LP, Vinyl record album
A great live set recorded in 1962 with some of Cal's best players in the group – pianist Lonnie Hewitt and drummer John Rae, joined by bassist Freddie Schreiber. The groove's a bit less Latin than usual, but the jazz vibe is very strong – and Tjader really shines with the local crowd ... LP, Vinyl record album
A classic Blue Note meeting of two of the label's top talents in the early 60s – Hammond hero Jimmy Smith, and the up-and-rising Stanley Turrentine on tenor! Turrentine's simply great at this point – playing with a raspy edge on the bottom of his tone, sounding dark and mysterious ... LP, Vinyl record album