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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little album by James Brown – and very different than his other work! He cut this one with the groovy Dee Felice Trio – a jazz-based combo that he recorded on their own for King, on another very rare, very excellent record. The band's in similar form here, although not ... LP, Vinyl record album
A pretty strong overview of Hank's fiercer R&B tunes for King Records – most of them cut at the end of the 50s, with that mean and lean style that actually could make Hank sound pretty darn scary! Titles include "It's Love Baby", "Sugaree", "Annie Had A Baby" ... LP, Vinyl record album
Amazing soul from Rotary Connection – and one of their greatest albums! The "songs" concept has the group working over a bunch of tunes by other folks – and the record features many late 60s rock titles, redone with the group's incredible baroque soul sound. Charles Stepney ... LP, Vinyl record album
A huge album for Patrice Rushen – thanks largely to the track "Forget Me Nots", which is a perfect blend of jazz and soul, in that warm sweet style she was forging after her early days as more of a fusion artist. The rest of the album's every bit as great – and the ... LP, Vinyl record album