This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Lou Rawls' last albums for Philly International, and a really nice departure from the style of Lou's earlier hits for the label. It's got a sophisticated jazzy mode that has Rawls often singing with sparer piano backings than the fuller strings of the late 70s – in a way that's sort ... LP, Vinyl record album
One of the great ones – produced by David Axelrod, with HB Barnum arrangements, and sublime vocals by Lou, who's really at his best in this sort of setting! The album features 2 hip monologues – "Righteous Woman" and "Dead End Street" – plus the famous sung ... LP, Vinyl record album
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – ... LP, Vinyl record album
Great early stuff by Lou! No, the record doesn't have funky David Axelrod arrangements – but it does have some great jazzy backing by Benny Carter, which gives Lou's sweet soulful voice a great platform to riff off of. The record's one of Lou's jazziest, and it's mostly tight and swinging ... LP, Vinyl record album
Not as hit-heavy as some of Lou's other albums for Philly International, but a nice batch of mellow jazzy soul tracks – with arrangements by Thom Bell, Bunny Sigler, Dexter Wansel, and others. Some of the tunes get nicely uptempo – hitting the warmer clubby modes that always worked ... LP, Vinyl record album
One of Lou's excellent Capitol sessions produced by David Axelrod! The record's not an outwardly funky one, but Axe gives the set a nice loping groove on the best tracks – the sound that he brought to his best work with Rawls, and which really put him over the top back in the 60s. Titles ... LP, Vinyl record album
The move to Philly International did wonders for Lou's career – and there's no denying that the smooth soul sound of Gamble and Huff worked perfectly with his rich vocal style! The "classy" setting took Lou to a whole new level, while also providing a good force for his still-soulfu ... LP, Vinyl record album
A masterpiece of modern soul that shows The O'Jays working in a style that would become their dominant mode for the next decade – not as upbeat and club-oriented as in the mid 70s years, with a sweet, sophisticated modern soul approach that really let the group grow stylistically. Mellow ... LP, Vinyl record album
People's Choice have the rhythm – as they did right from the very start, when they were first cutting records as a late 60s funk combo in Philly! The style here is more late 70s club, handled with perfection by the team of Gamble & Huff – but the PC approach is still a lot more ... LP, Vinyl record album