This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderful overlooked gem from the late 80s – one that takes Lou back to the smooth sophisticated groove he first set up on Philly – and in some ways, the anthemic title cut is enough to make the album great! Rawls really has a great sense of what the growing middle class status meant ... LP, Vinyl record album
A real breakthrough for Lou Rawls – a set that again paired him with arranger Onzy Matthews, and which even more deeply explored the unique space between jazz, soul, and the blues that became Rawls' prime territory back in the 60s! Matthews' backings are hip and jazzy throughout – ... LP, Vinyl record album
Just in case you were fearing that Lou's late 70s talents were only part of the studio magic of Gamble & Huff, this set proves that Mr Rawls could really sparkle in a spontaneous live setting – working here with a totally top-shelf set of arrangements that display a really wide range of ... LP, Vinyl record album
One of Lou's classics for Philly International – a warm mix of smooth soul and adult vocals, handled with some great arrangements by Dexter Wansel and Thom Bell. There's less standout singles on this set than previous Philly records, but Lou's class and quality makes nearly every track come ... LP, Vinyl record album
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – ... LP, Vinyl record album
Great work from Lou Rawls on Capitol – one of his fine fine albums produced by David Axelrod, with that snapping tight groove that works amazingly well with his vocals! The arrangements are super-tight – jazzy backings that have Lou shifting between that monologue style that he ... LP, Vinyl record album
One of the great ones – produced by David Axelrod, with HB Barnum arrangements, and sublime vocals by Lou, who's really at his best in this sort of setting! The album features 2 hip monologues – "Righteous Woman" and "Dead End Street" – plus the famous sung ... LP, Vinyl record album
A killer – and one of our favorite Philly International albums ever! This is the album that broke Lou Rawls back into the mainstream for the smooth 70s – retuning his incredible voice with waves of soul and strings in the Gamble & Huff tradition – and giving him a whole new ... LP, Vinyl record album
One of the nice moments from the days when David Axelrod was producing Lou Rawls! The record's a great mix of soul and tight LA production, and features the breakbeat cut "Fa Fa Fa Fa Fa (Sad Song)". Other nice ones include "Season Of The Witch", "It's You", "I ... LP, Vinyl record album
Although they didn't have as big of chart success as in earlier years, the O'Jays managed to do alright as the 80s moved in on them. Their sweet vocal style was a perfect match for Philly International's move to more modern soul production, and this album has them nicely set up by McFadden & ... LP, Vinyl record album
By the end of the 70s, Archie and crew were firmly entrenched in the up-tempo dancefloor style that made them one of the more winning groups at Philly International – and this album was one of their last for the label. The record features production work by the Gamble/Huff and ... LP, Vinyl record album