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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Is It All Over My Face is one of the strangest club tracks from the West End years – but a great one! The cut's an obvious reference to some of the more sensual practices of the club scene, and it's got a nice dark sound to it that's a good example of the way that late disco, early house, ... 12-inch, Vinyl record
Webster Lewis is working with Michael on both of these tracks – giving the grooves a slightly jazzy bounce that's similar to Lewis' own club work for Columbia! "Still Got The Magic" is a thumping midtempo number that's heavy on the bottom, but soars a bit on the top with Wycoff's ... 12-inch, Vinyl record
One of Larry Levan's biggest crossover moments – as "Don't Make Me Wait" has the Peech Boys breaking out of the Paradise Garage underground, into the mainstream of soul in the early 80s. Not much in the vocal department, but a catchy hook nonetheless, and with plenty of bubbly bass ... 12-inch, Vinyl record