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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key album in the sound of piano jazz in the 50s – featuring Billy Taylor, and his trio that included Earl May on bass and Percie Brice on drums. The album's nothing fancy, but has a nicely soulful undercurrent – and titles include "Tune For Tex", "Moonlight In ... LP, Vinyl record album
A key moment in the sound of piano jazz in the 50s – featuring Billy Taylor, and his trio that included Earl May on bass and Charlie Smith on drums. Titles include "Cool & Caressing", "Tenderly", "I've Got The World On A String", "That's All", ... LP, Vinyl record album
Early quartet work from pianist Billy Taylor – in a group with John Collins on guitar, Al McKibbon on bass, and Shadow Wilson on drums! LP, Vinyl record album
A great change of pace for Billy Taylor – and one of the most striking sessions he made in the 50s! As you'll guess from the title, the record features Taylor's piano along with four flutes – played by Frank Wess, Herbie Mann, Jerome Richardson, and Phil Bodner – working here ... LP, Vinyl record album
A great 2LP set that reissues two of the best blowing sessions on Prestige from the late 50s – All Day Long and All Night Long – proof that Kenny Burrell could hit a nice groove when he wanted to! The tracks are all long and very open-ended, with players that include Mal Waldron, ... LP, Vinyl record album
A strange mix of material – but some great work overall! Most of the record features Miles Davis recording with a quintet that includes Thelonious Monk on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke on drums – on longer versions of "The Man I Love" (in ... LP, Vinyl record album
Fantastic early work from Gil Evans – emerging here in this early session as an already far-thinking modernist. The tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still ... LP, Vinyl record album
Wonderful early work from reedman Eric Kloss – looking mighty sharp on the cover, but in a different way than on his 70s albums! The sound here is right in the same pocket as work by some of the best soul jazz artists on Prestige at the time – no surprise, as the set features Hammond ... LP, Vinyl record album
As classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles ... LP, Vinyl record album
Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the ... LP, Vinyl record album
A beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor ... LP, Vinyl record album