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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
A key album in the sound of piano jazz in the 50s – featuring Billy Taylor, and his trio that included Earl May on bass and Percie Brice on drums. The album's nothing fancy, but has a nicely soulful undercurrent – and titles include "Tune For Tex", "Moonlight In ... LP, Vinyl record album
Early quartet work from pianist Billy Taylor – in a group with John Collins on guitar, Al McKibbon on bass, and Shadow Wilson on drums! LP, Vinyl record album
A great change of pace for Billy Taylor – and one of the most striking sessions he made in the 50s! As you'll guess from the title, the record features Taylor's piano along with four flutes – played by Frank Wess, Herbie Mann, Jerome Richardson, and Phil Bodner – working here ... LP, Vinyl record album
One of Billy's rarest sessions from the 60s – a trio set for Riverside, recorded in early 1960, and a great little session considering how obscure it is! The group's a trio, with Henry Grimes on bass and Ray Mosca on drums – supporting Billy's fluidly soulful work on the keys, over a ... LP, Vinyl record album
Nice 2LP set that brings together a huge amount of pivotal work from the early bop years of Diz, including titles recorded for the Guild and Musicraft labels, as well as Prestige. The set's an essential one, because although you often hear references to this material, most of it was originally ... LP, Vinyl record album
Some excellent Monk from the mid 50s – recorded between the early Blue Note sides and the later revolutionary ones for Riverside, all featuring Monk in some pretty heavy tenor company! Side one features Monk playing with Frank Foster, Ray Copeland, Curley Russell, and Art Blakey – on ... LP, Vinyl record album
A 2LP set that combines 2 of Eddie Lockjaw Davis' early Cookbook sessions – cut for Prestige in a key transitional moment, when Lock was trying to break past the R&B roots of earlier years, and emerge as a more sophisticated jazz soloist, capable of carrying an idea way past the short ... LP, Vinyl record album
The title's certainly right – as the set's a smoker of a record from the mighty Eddie Lockjaw Davis – really hitting his best groove here, and opening up on tunes that are even stronger than his classic Cookbook material! The group includes Shirley Scott on Hammond, and Jerome ... LP, Vinyl record album
Great later issue of two classic Prestige hardbop albums from the 50s! First up is Two Trumpets – one of those wonderful late 50s Prestige Records blowing sessions that really let individual players have lots of the right sort of space to find their own voice alongside each other! Byrd and ... LP, Vinyl record album
Fantastic early work from Gil Evans – emerging here in this early session as an already far-thinking modernist. The tracks are shorter and less ambitious than some of Evans' work on Impulse, but the group is excellent – and even in a shorter format, the conception of the work still ... LP, Vinyl record album
An excellent overview of Ammons' early years at Prestige – back when he was recording mostly 78s for the label, and king of the jukebox scene! The sides vary between bop, swing, and a bit of rougher R&B styled tunes – and players include Sonny Stitt, Duke Jordan, Benny Green, Bill ... LP, Vinyl record album
A strange mix of material – but some great work overall! Most of the record features Miles Davis recording with a quintet that includes Thelonious Monk on piano, Milt Jackson on vibes, Percy Heath on bass, and Kenny Clarke on drums – on longer versions of "The Man I Love" (in ... LP, Vinyl record album