This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A seminal bit of Chicago House goes mainstream! JM Silk featured tight work by Steve Silk Hurley – producing, arranging, and mixing. Steve takes Isaac Hayes' "I Can't Turn Around", flips it on its end, and pulls it apart into a skeleton of beats, keyboards, basslines, and vocals ... 12-inch, Vinyl record
An offshoot of the 4AD rock scene from the UK, this number sampled Rakim from "Paid In Full" to great effect – and it made quite a bit of sense that the track was issued on 4th & Broadway in the US (probably also a legal move, so that the label wouldn't sue 4AD for copping a ... 12-inch, Vinyl record
A great release of the song that really put Prince over the top – a song that got him maybe more play on rock and pop stations than he was ever getting on soul radio – and which for years became an anthem for folks who never would have touched his music in years before! The version ... 12-inch, Vinyl record