This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Karen's big cut, the only one we'll remember her for, and a big campy track in its day. Served up here on an original West End single, with vocal and instrumental versions both stretching past the 8 minute mark. 12-inch, Vinyl record
Is It All Over My Face is one of the strangest club tracks from the West End years – but a great one! The cut's an obvious reference to some of the more sensual practices of the club scene, and it's got a nice dark sound to it that's a good example of the way that late disco, early house, ... 12-inch, Vinyl record
Think what you want about the Pet Shop Boys, this tune's still got a simple charm that we love – one of the last gasps of early 80s British pop seeping into American club – and a nicely spoken lyric that still beats out most of what was going on in US pop at the time! 12-inch, Vinyl record