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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Don't let the "broadway" or the "blues" or the "ballads" in the title put you off – because this album's way more than any of those! As usual, Nina takes tunes that have common roots and she makes them all her own – working here with arrangements by Horace ... LP, Vinyl record album
We're always big fans of Bev Kelly's work, but this album is way hipper than the usual vocal album of its type from the time – thanks to a sweet little lineup that features Pony Poindexter on alto sax and Flip Nunez on piano! The presence of Poindexter's horn is always a treat, on the ... LP, Vinyl record album
As smooth as mink – and as sexy too! The album's one of Peggy's jazziest from the Capitol years – and has her working with some really great arrangements by Max Bennett or Benny Carter – both of whom come up with a lean groove that swings tremendously, but without some of the ... LP, Vinyl record album
A very nice small combo album from Peggy Lee – singing here with live backings by the George Shearing Quintet, in a style that's very different from a lot of her other work for Capitol! The set's got a slight Latin feel, thanks to George's mix of percussion, vibes, piano, and guitar – ... LP, Vinyl record album
Quite a rare album from Peggy Lee – and a strange one too! The album features backings "conducted" by Frank Sinatra, done in a moody, flowing, dreamy and sad style – similar to his own work of the late 50s Capitol years, especially the more melancholy albums that we love so ... LP, Vinyl record album
One of Peggy Lee's jazziest albums, thanks to some pretty darn smart arrangements by a young Quincy Jones! Quincy takes Peggy's great vocal style and gives it a nice extra umph, in the way that he did on similar vocal sessions from the same time (like Sinatra's famous "Fly Me to the Moon" ... LP, Vinyl record album
Beautiful beautiful record, and still one of the greatest jazz vocal albums ever made. The great King Pleasure sings in a raspy vocalese style similar to Jon Hendricks or Eddie Jefferson, but with a sense of warmth and delivery that the two of them never seem to reach. The set list here features ... LP, Vinyl record album
With Kenny Barron on piano, Harvie Swartz on bass, Ben Riley on drums, and Tom Harrell on flugelhorn. Titles include "Inchworm", "Sheila's Blues", "The Crossing", "Until Tomorrow", and "Suite For Lady & Prez". LP, Vinyl record album
One of Tony Bennett's most fantastic albums from the 60s, and a record that features some nice jazzy arrangements that push past the usual heavy studio ones. The album includes a great reading of "Samba Do Aviao" with backing by Carlos Lyra, Helcio Milito, and Al Cohn – plus "F ... LP, Vinyl record album
A sweet 70s set from the amazing Zimbo Trio – a record that really has them stretching out with a much more complicated vibe than the bossa years – mixing in some elements of 70s Brazilian fusion, as they work with an expanded group that includes Hector Costita on sax, and Heraldo Do ... LP, Vinyl record album