Mel Lewis : Mel Lewis Sextet (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Mel Lewis Sextet

LP (Item 353415) Mode, 1957 — Condition: Near Mint-
A classic late 50s side from the Mode label – and one of those great LA sessions that was almost more noteworthy for the sidemen than the leader! Drummer Mel Lewis heads up the group, sure, but the real strength of the set is in its three piece frontline – which features Charlie Mariano on alto, Bill Holman on tenor and baritone, and Jack Sheldon on trumpet – all of whom come together perfectly in a strong mix of ensemble chorus playing and breakout solo work. Mariano's horn really shines, as it always manages to do in such a setting – and brings a deeper level of soul to the set than you might expect. Piano is by Marty Paich, and tracks are a bit longer than usual – with tunes that include the originals "Grey Flannel", "Jazz Goes To Siwash", and "Charlie's Cavern".  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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