A chilling statement from the west coast scene of the 70s – the first album from The Watts Prophets, the ultra-powerful group who emerged from the LA turmoil of the 60s. Like the Last Poets, the group blends together righteous spoken word passages and some spare rhythms and a touch of jazz – all stepping forth in the kind of message-driven recording that was too powerful for radio at the time, but which had an undeniable influence as it circulated amongst underground circles. The whole thing's summed up perfectly by the cover, which shows a fist held high in rebellion over the flag on the front, and an open hand freeing a black dove on the inside! Titles include "I'll Stop Calling You N*ggers", "Kill", "Black Pussy", and "The Meek Ain't Gonna". (Cover has a cutout hole, split top seam, some wear, and marker on front. Label has some pen.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.