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My Own Time And Space

LP (Item 352863) Catalyst, 1976 — Condition: Near Mint-
Gatefold
$19.99 ...

LP, Vinyl record album

(€17.69 || £12.90 || ¥2407) (approx.)
4.80 38

A warm set of groovers from Flip Nunez – a San Francisco-based pianist with a great Latin tinge, working here in a fantastic setting that makes for one of his greatest recordings! The album was recorded in SF in 1976, and it's got the laidback groove of some of the best sides coming from the area at the time – a sweet blend of fusion, Latin, and modal jazz grooving. Nunez plays electric piano, clavinet, piano, and organ – and a few tracks feature his vocals, which have a confident style that's somewhere between Mark Murphy and Tony Benett (in his jazzier mode.) The centerpiece of the album is a long mellow-grooving version of "See You Later", a tune that Flip wrote, and which has been covered on a number of other jazz dance classics over the years – but the album's filled with great tunes, like "D'ju Like Me", "This Time For Good", "Why Did You Come Into My Life", and "Mr Cool", a sweet little funky tune! (Cover has a cut corner and some wear on the bottom seam.)  © 1996-2015, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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