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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A bit lusher, and a bit more pop-vocal oriented than some of Nancy's other Capitol albums – this one has arrangements by Sid Feller, and a rich string-laden sound that's nicely juxtaposed against Nancy's soulful vocals. Titles include "Gentle Is My Love", "When He Makes ... LP, Vinyl record album
A landmark album in Peggy's career – one that featured some wonderful crossover hits that broke her into a whole new audience in the 60s – and which really helped cement Peggy's relationship with Capitol Records. Benny Carter and Dick Hazard arranged the set with a gentle bouncing ... LP, Vinyl record album
A gem of a set from Vic Damone – swinging backings by Billy May, with titles that include "The Most Beautiful Girl In The World", "Ruby", "Little Girl", "The Lively Ones", and "I Want A Little Girl". LP, Vinyl record album
One of the last great records ever made by Sarah Vaughan – a really solid session of Brazilian tunes, one that's produced by Sergio Mendes, arranged by Dori Caymmi, and which features guest vocals by Milton Nascimento! The general approach is west coast mellow – as the group features ... LP, Vinyl record album