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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Quite possibly the greatest album ever from Side Effect – a wonderful set that mixes their soulful harmonies with some killer jazz funk from Wayne Henderson! The album may be the most perfect realization of the groove that Henderson was going for during his At Home Productions years – ... LP, Vinyl record album
An early Odetta record where she duets with Larry Mohr for a nice selection of folk songs that have elements of the blues and country. Tracks include "John Henry", "Old Blue", "Water Boy", "Santy Ana", "The Car-Car Song", "Pay Day At Coal ... LP, Vinyl record album
A fantastic album from this legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an amazing jazz-inflected funk groove that still leaves us breathless after all these ... LP, Vinyl record album
One of the most soulful albums Sylvester ever recorded – a set that's light years from his colder club work of the mid 80s, and delivered with a beautifully rich sound overall! Despite Sylvester's previous disco fame, the album does a great job of keeping things mellow at times too – ... LP, Vinyl record album
After the fame that the Shaft soundtrack brought to Isaac Hayes, it seemed like every funky group was trying to get in on the blacksploitation action – and Donald Byrd & The Blackbyrds were no exception! Cornbread, Earl, & Me wasn't exactly a Superfly-type film, but the group do a ... LP, Vinyl record album
His first album, and his best! After working as the silent talent on albums by David Bowie, Gregg Diamond, and others – Luther Vandross finally got the chance to cut an album on his own, and it's incredible! The record has a perfect sound – one that verges on disco, but never falls ... LP, Vinyl record album
An excellent set of messed-up funky soul from Etta James – one of her killer early 70s sides for Chess! The album mixes together bluesy tracks and straight ahead soul – in a hip, bad-walking style that nicely updates Etta's older style for the 70s. The set includes a great funky cut ... LP, Vinyl record album
A masterpiece of harmony soul – one of THE all-time greats of the genre, and a lasting treasure from The Stylistics! The album really took vocal soul to a whole new level for the 70s – pushing from the sometimes fragile ballad style of the late 60s into a smoother, more mature sound ... LP, Vinyl record album
Killer stuff from Gene! After recording a few sadly overlooked albums for Brunwsick, Gene hit big big big with this killer record on Mercury! The record virtually defines the Chicago soul sound of the late 60s – with arrangements by Tom Tom, production by Gene, and a great loping soul ... LP, Vinyl record album
Excellent later work from Bobbie Humphrey – working here in a style that's different than her early albums for Blue Note – but still equally great! Bobbi's a bit more of a singer here, but the record still features loads of great work on flute as well – in these tight, full ... LP, Vinyl record album