The first album by Gregg Diamond's Bionic Boogie group – and a cooker of a set that follows strongly from Gregg's previous Hot Butterfly gem! Luther Vandross isn't on board this time around, but the overall groove is still totally great – upbeat, soaring, and put together with a jazzy undercurrent that really keeps things interesting – far more so than most other mainstream disco sets of the time! Brad Baker – of B Baker Chocolate Company – handled the arrangements – and the grooves spin out nicely from Diamond's keyboards, and a tight mix of strings and jazzy horns. Vocals are from the soulful trio of Gwen Guthrie, Ullanda McCullough, and Zachary Sanders – and titles include "Dance Little Dreamer", "Risky Changes", "Boogie Boo", "We Must Believe In Music", "Feel Like Dancing", and "Don't Lose The Number". (Cover has a cut corner.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.