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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Way more than just a throwaway disco compilation, this is a seriously heavy batch of tracks that's way better selected than any other major label compilation from the time. Nearly every one of these cuts is a great rare groover – and titles include "Jungle Fever" by Chakachas, ... LP, Vinyl record album
A classic deep soul set from Eloise Laws – an early album recorded for Invictus Records, and done with stellar production from Brian Holland! The title cut's a monster, one of the best tracks on the label from the 70s – with some wonderfully spacey keyboards, funky drums and bass ... LP, Vinyl record album
Quite possibly the most righteous work ever from The Counts – a move away from the heavier funk of their Westbound years, and a shift into some great jazz-based material! The vibe here draws heavily on the electric keyboard scene of the early 70s – with echoes of Lonnie Liston Smith's ... LP, Vinyl record album