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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Amazing stuff – and work that will have you changing your opinion about Chick Corea! Around 1970, Corea was part of a groundbreaking group called Circle – an amazing avant quartet that featured him, Anthony Braxton, Dave Holland, and Barry Altschul. Circle are one of those groups who ... LP, Vinyl record album
A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick ... LP, Vinyl record album
One of the few albums as a leader from guitarist Mick Goodrick – a musician who's strong sense of color made him a perfect sideman for vibist Gary Burton in the 70s – and who here explores some wonderful territory of his own! The quartet here features superb work from John Surman ... LP, Vinyl record album
A key later session from the Art Ensemble Of Chicago – a record that gained them global exposure through the ECM label, and which has them working in a beautifully subtle sense of sound, space, and tone! The work is less all-out challenging than some of the group's earliest recordings – ... LP, Vinyl record album
A really great album from these two giants of the Ornette Coleman generation – and one that also shows just how much space both musicians had traversed since the 60s! Don Cherry plays his familiar pocket trumpet in the lead, but also brings in piano, melodica, organ, and doussn gouni – ... LP, Vinyl record album
Two of the greatest things going for ECM in the 70s – brought together on one record! The vibes of Gary Burton are a wonderful match for the careful guitar work of Ralph Towner – particularly his 12-string guitar, which is used in a space that's somewhere between folk and jazz, and ... LP, Vinyl record album
A key album from the later Charles Lloyd years on ECM – from a moment when the saxophonist seemed to be completely reinvigorated, and exploring very different territories than his music of the 60s! Part of the sound has Lloyd hitting a few ECM vibes – hard not to do with a group that ... LP, Vinyl record album
With Malachi Thompson, Steve Turre, Stanton Davis, and Frank Lacy. This LP features covers of pop hits, such as "Saving All My Love For You", "Oh, What A Night", "Crazy", & "Blueberry Hill", as well as compositions by Steve Turre and Lester Bowie, ... LP, Vinyl record album
One of the few ECM sides recorded by the Art Ensemble Of Chicago – easily some of the hippest work the label issued at the time, and a key way for the avant collective to get a bit of large audience exposure! The sound is still very much in the best AEC style here – and if anything, ... LP, Vinyl record album
Great work from pianist Gene Russell – heard here on both Fender Rhodes and acoustic piano! The tracks were originally done for the Black Jazz label – and feature Henry Franklin on bass, Calvin Keys on guitar, and Ndugu on percussion – and cuts include "Black Orchid", ... LP, Vinyl record album