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Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
No blues, and only a little bit of country – mostly in the song choice for the set, and in the way the whole thing is put together! The core stylings here are still the Ramsey Lewis Trio at their early 60s best – but the record does feature a slight country-meets-soul sort of style in ... LP, Vinyl record album
A bit later than Ramsey Lewis' classic electric sides for Columbia Records in the 70s, but still a pretty great little album – and one that mixes mellow grooves on Fender Rhodes with a nice dose of acoustic piano – in a style that's a bit like Rodney Franklin at the time, but ... LP, Vinyl record album
Quite a rare thing for a jazz album of the time – nearly 60 minutes of music on one disc, something that was almost unheard-of in the days of 30 minute sessions! As the notes explain, the whole thing sounded so good that the engineer let the tape run more than he might in a usual set – ... LP, Vinyl record album
Jazzy and classy – and one of the first of Ramsey's albums to feature him working with larger arrangements instead of the usual trio. In this case, the whole thing was arranged and conducted by Richard Evans – with a spacey hip sound that's not too far from some of Ramsey's later work ... LP, Vinyl record album
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the ... LP, Vinyl record album
A collection of Ramsey's work on Cadet/Argo that focuses mostly on the groovy uptempo tracks from the mid 60s – when Lewis had cracked the pop instrumental charts with soulful versions of bigger hits. Titles include "The In Crowd", "Function At The Junction", "Soul ... LP, Vinyl record album
Sweet electric funk from Ramsey Lewis! The album's one of his best from the 70s – and it's got Ramsey on Fender Rhodes, electric harpsichord, and other keyboards, grooving away in an open-ended 70s mode that still retains all the heavy soul of his classic work for Chess. Morris Jennings ... LP, Vinyl record album
A late 60s groover from the second Ramsey Lewis trio – the one that features Cleveland Eaton on bass and Maurice White on drums, both doing a pretty great job of filling the spot vacated by Eldee Young and Red Holt! The album's a live one, cut in the successful mode of Ramsey's records with ... LP, Vinyl record album
A set of classic Ramsey Lewis recordings with his trio of Eldee Young and Redd Holt, all of which were recorded during the 60s for Argo/Chess, but not released until this set in 1972. The tracks all came from the same live set that spawned the group's hit single version of "Hang On ... LP, Vinyl record album
Although Ramsey first scored big with his spare trio recordings during the late 50s, by this point in his career, Cadet were wisely playing with his sound a lot, adding in new elements to keep things fresh and soulful. Such is the case with this album, which has Ramsey's second trio (with ... LP, Vinyl record album
With Claudio Roditi on trumpet and flugelhorn, Fareed Haque on acoustic and electric guitar, Daniel Freiberg on acoustic and electric guitar, Sergio Brandao and Paul M Socolow on electric bass, Ignacio Berroa on drums, Ricardo Eddy Martinez on synthesizers, and Sammy Figueroa, Daniel Ponce, and ... LP, Vinyl record album
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling ... LP, Vinyl record album