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Hold On, I'm Comin'

LP (Item 34161) Atlantic, 1973 — Condition: Near Mint-
Gatefold

Great early 70s work from Herbie Mann! By this point in his career, Herbie must have had a fleet of cars, a harem of ladies, and a golden flute. You can hear his success in the live material that makes up the album – recorded before very enthusiastic audiences at the New York and Montreux festivals in 1972. Who'd have thought jazz flute could go so far? All tracks are long and pretty darn lively – and Herbie's group still includes Sonny Sharrock on guitar, plus the groovy Pat Rebillot on piano, and David Newman on tenor and 2nd flute. Titles include "Soul Beat Momma", "Never Can Say Goodbye", "Respect Yourself", "Memphis Underground", and "Hold On, I'm Coming".  © 1996-2021, Dusty Groove, Inc.
(In the die-cut cover, with a torn bar, a light crease, small cutout notch and some light wear.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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