Hardly the disco set you might guess from the title – and instead, a surprisingly soulful gem from the post-Stax years of Isaac Hayes! There's certainly a bit of uptempo grooving in the mix – but, as on Ike's Polydor years, the approach is still handled with the deeper sounds that Hayes first forged over at Stax – a way of putting together the groove that's almost like a mini-symphony in soul – still quite complex, even when aimed at the dancefloor! But not all cuts are groovers, too – as there's some key mellow moments on the record that really help balance things out, and which we really like a lot – those slow-stepping, mature masculine numbers that always marked Hayes as one of the hippest talents of his generation. There's some key Memphis help on the record from The Movement – who handle rhythm and horns – and titles include "Let's Don't Ever Blow Our Thing", "Lady of The Night", "The Storm Is Over", "Juicy Fruit", "Thank You Love", and "Music To Make Love By". (Cover has a cutout notch, some wear, and a mark from sticker removal.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.