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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
James Moody's definitely feelin it here – stepping back into a straighter hardbop mode after some funkier sets of the early 70s – really sounding great on tenor, alto, and flute – and working with a very hip quartet for the date! Kenny Barron's in the group on both electric and ... LP, Vinyl record album
A great set from Moody, nice and edgey, with his genius firmly in place! Quincy Jones handled the arrangements, and the group swings in a variety of modes. Moody's on alto and tenor – no flute yet at this point – and highlights include "Workshop", a great number with ... LP, Vinyl record album
Great work from Moody's "second phase" – the post-Overbrook time in which he picks up the flute, drops a bit of the bop style, and starts working in a much more complicated style that showed that he had a hell of a lot of room to grow as an artist! This album's Moody's second for ... LP, Vinyl record album
A magnificent little album – one of James Moody's first collaborations with arranger Tom McIntosh – one of the most sensitive jazz voices of his time. McIntosh works in a world of many tones and colors – and he really pushes Moody past straighter solo approaches, into a mode ... LP, Vinyl record album
Classic hard-hitting organ jazz session by this great Chicago keyboard player, better known to the world for his two Blue Note LPs, but playing here in a style that's much more creative, and much more open-ended than on those LPs. He's got a tight trio here, with Ben White on guitar and Jerry ... LP, Vinyl record album
An easily-grooving set that features Illinois Jacquet blowing over small combo arrangements with Tommy Flanagan on piano and Kenny Burrell on guitar – plus some added Latin percussion from Willie Rodriguez! The presence of the Latin percussion really adds a nice element to the album – ... LP, Vinyl record album
A classic from Stitt – cut during the underground days of the early 60s, when both he and Gene Ammons seemed to be recording for just about every jazz label around, and when they both seemed to be doing an awful lot of work in Chicago. This album was done in a flurry that Jug and Stitt cut ... LP, Vinyl record album
Great little bit of lost Chicago grooviness. Not only is this a fantastic record by a tight group led by the legendary reedman Sonny Cox, but the cover and title bear reference to the Dan Ryan Expressway, which ripped through the south side like a scar in the early 60's. The cover's got the band ... LP, Vinyl record album
One of Ahmad's best albums ever – a Latin-ized set of tracks done with arrangements by Richard Evans, who really knows how to make the set groove! Ahmad's flowing piano lines come into play with lots of tight percussion and big band backing – in a way that never dampens his spirit, and ... LP, Vinyl record album
A compelling title – as the record was recorded at Nola Penthouse Studios in New York, one of the hippest places to lay down tracks at the time – but the cover shows an image of the Playboy building in Chicago, famous from the TV show Playboy's Penthouse, Hugh Hefner's first foray into ... LP, Vinyl record album
Not just a wonderful record for the music, but also for the classic cover image too – a photo of Ahmad Jamal's righteous night club The Alhambra – an Eastern-themed spot on Chicago's Michigan Ave, where Jamal made some incredible music for a few short years! Jamal was one of the few ... LP, Vinyl record album
A strange one for Argo, and certainly not in keeping with their usual soul jazz roster of recordings – but also a cool moody session recorded in Scandinavia, and which features the icy piano of Rune Ofwerman, backed by a chorus of voices, for a floating dreamy sound that slightly hints at the ... LP, Vinyl record album