A sweet late 70s gem from The Impressions – an album of smooth grooves and soulful steppers – and one that really shows the group flourishing in a new style at the time! Some of the group's Chicago contemporaries tried to move forward at the time, but few did things this well – still keeping the core sense of harmony and soul intact, while also finding new rhythms and some new warmer styles of instrumentation as well. Of course, it also helps that they're getting help from longtime Chicago soul producer Carl Davis – who's very respectful of the trio on the record, and clearly has a good repoire with Fred Cash, Sam Gooden, and Reggie Torian. And while the groovers are nice, the mellow ones are even better – great slow-stepping cuts that include "All I Want To Do Is Make Love To You", "Maybe I'm Mistaken", and "I Could Never Make You Stay" – nestled alongside tracks that include "Sorry", "This Can't Be Real", and "Come To My Party". (Cover appears to be autographed.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.