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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The last album in the classic run of Steely Dan – the final taste we'd have of the group until their surprising revival in the 90s! Gaucho picks up beautifully where Aja left off – warmly produced with a deep undercurrent of jazz, but perhaps a bit more down to earth feel at times too ... LP, Vinyl record album
We've always considered Steely Dan one of the quintessential 70s "Album Oriented Rock" bands, in that all of there albums work so well as a whole, so the idea of a greatest hits collection doesn't exactly work for us. Still, taken out of context, these songs are still gems, and listening ... LP, Vinyl record album
Surprisingly funky at times – and beautifully produced, too! Titles include "Funk #49", "Woman", "The Bomber", "Closet Queen", "Thanks", "Ashes In The Rain & I", and "Tend My Garden". LP, Vinyl record album
Bobby Whitlock really comes into his own here – working in a style that's tighter and more confident than his debut – yet which is also still drenched in all the best southern styles of his roots! Production is rich, but never too commercial – and the album shows some of the ... LP, Vinyl record album
A jazz rock masterpiece from Colosseum – the kind of record that the British scene could do far far better than any American group at the time! The set is a sweet blend of late beat group grooving – using the heavy R&B-influenced guitar and organ styles of earlier years, and ... LP, Vinyl record album
A bit later than Terry Reid's real classics, but also a surprisingly nice little record – even if the sound is different! Graham Nash produced, and the record has a style that mixes raspy vocals and acoustic guitar with some sweeter, smoother touches – almost an LA fantasy of country ... LP, Vinyl record album