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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
We've always considered Steely Dan one of the quintessential 70s "Album Oriented Rock" bands, in that all of there albums work so well as a whole, so the idea of a greatest hits collection doesn't exactly work for us. Still, taken out of context, these songs are still gems, and listening ... LP, Vinyl record album
Superb work from Steely Dan – and a record that really shows them hitting perfection in the studio! The core sound of this one's jazzier than before – with some great help on instrumentation from Victor Feldman, Lanny Morgan, Bill Perkins, and other west coast jazzers – all ... LP, Vinyl record album
Titles include "Born To Be Wild", "Rock Me", "Move Over", "Snowblind Friend", "Ride With Me", "Magic Carpet Ride", "The Pusher", "Sookie Sookie", "Screaming Night Hog", "Monster", "Tenderness&quo ... LP, Vinyl record album
A record with a gimmicky title and cover, but a real overlooked gem from mid 70s ABC Records – handled with sublime care in the studio from producer Gary Katz, engineer Roger Nichols, and a host of session players who worked on some of the Steely Dan records of the time! Yet Dirk Hamilton's ... LP, Vinyl record album