This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pretty strange concept for an album – a bunch of LA jazz players get together and do versions of songs usually associated with the south! This penchant for swinging tunes from unusual sources was one of Pell's strongest 50s tricks, though, and he makes it come off pretty well with a group ... LP, Vinyl record album
Dave blows on a set of tunes lifted from TV shows of the early 60s – including "See The USA", "Like Young", "Sing Along", "This Could Be The Start of Something", "Lively One", and "Melancholy Serenade". The backings have the Pell ... LP, Vinyl record album
Mid 50s west coastery from Dave Pell – recording here in an octet that includes Don Fagerquist on trumpet, Ray Sims on trombone, Paul Smith on piano, Tony Rizzi on guitar, and Ronnie Lang on baritone. The tracks are short and slinky, with Pell's sharp tenor in the frontline – on tracks ... LP, Vinyl record album
(Mid 70s issue. Includes the booklet and individual sleeves. Box has some wear at the top right corner and bottom edge, with light blemishes in front, and small blemish spots in back.)LP, Vinyl record album
(Mid 70s issue. Includes the booklet and individual sleeves. Box has some wear at the corners and some light blemishes and small worn spots.)LP, Vinyl record album
Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken ... LP, Vinyl record album
The mighty Lonnie Liston Smith live – sounding every bit as great as he did on his famous studio sessions from the 70s – and maybe even more freewheeling too! The feel of the record is really tremendous – extremely soulful, with Lonnie jamming away on keyboards as the band ... LP, Vinyl record album
A 31 track collection pulled from sessions in 1953 and 1954, featuring Shorty Rogers with His Giants and His Orchestra, with personnel that includes Art Pepper, Jimmy Giuffre, Hanpton Hawes, Shelly Manne, Pete Candoli, Bob Cooper, Marty Paich, Curtis Counce, Bud Shank, Herb Geller, Zoot Sims, and ... LP, Vinyl record album
Tight hard swinging big band set, with really complicated arrangements and some great writing. Not all of the players are names you'll recognize, but Levitt's talent for arrangement and leadership ensure a tight tight band, and the album wails nicely. Tracks include "Stop Those Men!", ... LP, Vinyl record album
Dynamic sounds from this overlooked 60s leader – played in a sharp mix of swing and modern styles – with work from Levitt on trombone, plus Bill Berry on trumpet, Buzz Renn on alto and flute, George Marge on tenor and flute, and Gene Allen on baritone and bass clarinet! LP, Vinyl record album