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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Here's a fine couple of tracks from a duo we wouldn't have anticipated – but it's make perfect sense when you think about it! The earliest, starkest and most hip hop Cypress Hill productions that DJ Muggs cooked up would have worked pretty well behind the Wu Tang wordsmiths, and GZA's turns ... 12-inch, Vinyl record
Includes "En Vogue" by Planet Asia, "F*ck A Hook" by Royce 5'9", "Key Master" by High & Mighty, "Like This" by Hangar 18, "This Is Dedicated" by Wale Oyejide and MF Doom, plus a freestyle from Cyrus The Great and Little Brother. 12-inch, Vinyl record
One of the first hip hop singles that really made the crossover to dancefloor play. By this point, everyone's heard the sample three million times, but it's still holds up better than most of the uptempo cuts from that era. 12-inch, Vinyl record