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They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprising return to jazz by Dinah Shore – recorded with backings by the Red Norvo Quintet, and a swinging style that makes us like her more than we'd think! Titles include "Who", "It's Funny To Everyone", "Bye Bye Blues", "Lover Come Back To Me", ... LP, Vinyl record album
Some of the earliest work we've ever seen from LA singer Ernie Andrews – much better known for his 60s sides, but sounding great here overall! Side one of the album's from a 1958 date arranged by Gerald Wiggins and featuring Eric Dolphy on alto sax – tunes done in a slightly bluesy ... LP, Vinyl record album
An overlooked gem from Julie London's early 60s years on Liberty Records – a time when she was changing up her sound a bit, but still staying strong as one of the sexiest vocalists on the west coast scene! Ernie Freeman handles the backing, and he brings in an undercurrent of soul that's ... LP, Vinyl record album