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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Trumpety genius from Herb Alpert – a cut that gave him one massive hit to close out the 70s, and a tune that crossed over big into clubs, radio, and plenty of shag-carpeted rec rooms too! And hey, it worked for Biggie, right? 12-inch, Vinyl record
Another bit of electro grooving from Herbie's Future Shock LP – with lots of space age keyboards, and tweaked up electro beats! Bill Laswell produced and plays bass, too. Herbie's classic version of "Chameleon" is presented here in a 14 minute remix – but one that really ... 12-inch, Vinyl record
2 blazing club numbers from West End! Disco queen Taana Gardner delivers the goods with "Work That Body", which is just what you'll do to this funked up disco number that bounces along at a good clip, while the Bombers drop a straight 4 on the floor beat behind their version of the break ... 12-inch, Vinyl record
Rockers Revenge seems to be the name Arthur Baker and John Robie used for used for releasing electro covers. For this single, they do an electro version of the the Jimmy Cliff reggae cut. 12-inch, Vinyl record